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A polifonia das modinhas: Lutero Rodrigues Nepomuceno e Max Bruch: Zoltan Paulinyi Opera as a reflection on the construction of space and identity 89 in nineteenth-century Amazon Lutero Rodrigues Nepomuceno and Max Bruch: Esperamos que este volume descortine um rico universo ao leitor. A scholarly journal traditionally nates on issues related to Brazilian music and music in Brazil, the RBM also welcomes articles on issues and topics from other cultural areas that may further the dialogue with the international community of scholars as well as critical discussions concerning the field.

Each volume is divided into the following sections: Whenever possible, the volumes will be organized into themes proposed by the Editorial Board or arising from the substantial group of articles selected for publication.

In this way, the RBM seeks to stimulate innovation, critical thought and discussion, as well as to capture and reflect upon trends, issues and questions that have headed current music research. The Editorial Advisory Board is selected among eminent specialists with wide experience in the field, and affiliated with institutions of national and international reach.

The RBM also counts on a body of ad korrer referees composed of national and international researchers from several institutions.


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The RBM is aimed at the academic community in its broad spectrum of music researchers, musicians, historians, anthropologists, sociologists, culture scholars, and specialists from other related areas. The RBM is published twice a year in printed and electronic versions with national and international circulation. The printed version is distributed in libraries, universities and other educational, scientific and cultural institutions, pada Brazil and abroad, interested in either Brazilian or Ibero-American music.

Exchange with other related journals is parz. The electronic version is freely available at www. I also wish to thank all members of the Editorial Advisory Board and ad hoc referees, for their prompt response to our requests and efficient collaboration. Ants this volume disclose a rich universe to all readers. Abstract Most previous writings on musical exoticism reflect the unspoken assumption that a work is perceived by the listener as exotic only if it incorporates distinctively foreign or otherwise highly unusual elements of musical style.

Relevant issues are discussed by analysing some passages of the following works: In each case, the full morrsr of artistic components—including musical devices that lie within or outside the traditional exotic vocabulary—enriches our understanding of how diversely, powerfully, sometimes disturbingly the exoticizing process can function in genres that combine music with dramatic representation. Keywords Opera — 18th — 19th century — exoticism.

Images and Reflections Cambridge Morder Press, Rio de Janeiro, v.


Esse novo paradigma, mais abrangente, inclui o aspecto predominante e outros complementares. Mardaga, Ou pode ser amplo, ainda que concreto: Memorial Art Fe of the Univ. Plon, ; Philippe Jullian, The Orientalists: European Painters of Eastern Scenes, trad.

Helga e Dinah Harrison Oxford: Phaidon, ; Rosenthal, Orientalism; The Orientalists: Orientalist Nineteenth Century Painting Dublin: Delacroix to Klee Sydney: Dohr Verlag, Expression, Form, and Style New York: Hunt, Military and Pastoral Bloomington: Press,anyes esp. Images and Reflections Cambridge: Metzler, —vol. Difference, Representation, and Appropriation in Music, ed. Born e Hesmondhalgh Berkeley: Royal Musical Association, Peter Lang,; e Michele Girardi, Puccini: His Inter- piaddas Art, trad.


Verlag der Musikalienhandlung K. Wagner,esp. Press, Speaking Truth to Power, ed. Press, Laaber-Verlag, Inter- pretations and Annotations Berkeley: Annegret Fauser e Mark Everist Chicago: On Critical Musicology Oxford: Challenges to Musicology Cambridge: Nicholas Cook and Mark Everist Oxford: Press,esp.

Knopf, Husain Haddawy New York: Norton, Fairleigh Dickinson Press, Between East and West, ed. Saree Makdisi e Felicity Nussbaum Oxford: Mais recentemente, Timothy D. Western Music and the World Durham: Casa Musicale Sonzogno, Verlag Mueller- Speiser,1: Renaissance Humanists and the Ottoman Turks Philadelphia: Music and Dance The Hague: Change, Adaptation, and Survival New York: Micromusics of the West Hanover, NH: Propomos ir mais longe nesse argumento: Wissen schaftliche Buchgesellschaft,vol.

Studies in the Operas of Mozart and Verdi [Haia: Martinus Nijhoff, ], Locarno, Biblioteca cantonale, 6—7 de ottobreed. Sonzogno,esp. His Life and Work London: Cassell, Henri Laurens, ], Sem nunca estarem saciados. Sound and Social Change in France, “, 2 vols. Tese de Doutorado, Univ.

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Agora Huascar aplica a mesma palavra para se referir aos europeus, supostamente civilizados. Maltby, The Black Legend in England: Essai de Classification Beirut: Handel, Belshazzar, Ato 3: Ele pega a isca, repetindo a melodia e mesmo superando-a na tessitura vocal. Frasquita e Mercedes acabam contando descontraidamente as suas fortunas com um baralho de cartas.

Fayard, Essays on Mo- dern Music, trand. Verso, Bizet, Carmen, Ato 3 Literature and Linguistics 30 Libreria musicale italiana, Liguori, Nicholas John New York: