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Taken on September 17, However, there is some confusion as to whether this is the Saint Vitalis of Milan, or the Saint Vitale whose body was discovered together with that of Saint Agricola, by Saint Ambrose in Bologna in A igreja tem um plano octogonal.
The Church of San Vitale — styled an “ecclesiastical basilica” in the Roman Catholic Church, though it is not of architectural basilica form — is a church in Ravenna, Italy, one of the most important examples of early Christian Byzantine Art and architecture in western Europe.
The church is of extreme importance in Byzantine art, as it is the only major church from the period of the Emperor Justinian I to survive virtually intact to the present day. The church was begun by Bishop Ecclesius inwhen Ravenna was under the rule of the Ostrogoths, and completed by the 27th Bishop of Ravenna, Maximian in during the Byzantine Exarchate of Ravenna.
According to legend, the church was erected on the site of the martyrdom of Saint Vitalis. The final cost amounted to 26, solidi gold pieces. However, there is some confusion as to whether this is the Saint Vitalis of Milan, or the Saint Vitale osfrogodo body was discovered together with that of Saint Agricola, by Saint Ambrose in Bologna in Done.
Furthermore, it is thought to reflect the design of the Byzantine Imperial Palace Audience Chamber, of which nothing at all survives.
The building combines Roman elements: The church has an octagonal plan. The construction of the church was sponsored by a Greek banker, Julius Argentarius, of whom very little is known, except that he also sponsored the construction of the Basilica of Sant’ Apollinare in Classe at around the same time.
The architect of this church is unknown. Iniziato grazie ai finanziamenti di Giuliano Argentario, ricco banchiere ravennate, su ordine del vescovo Ecclesio nelvivente ancora Teodorico, e consacrato nel dall’arcivescovo Massimiano, quando Ravenna era ormai da sette anni sotto il dominio bizantino, questo edificio, summa dell’architettura ravennate, elabora e trasforma precedenti occidentali e orientali portando alle estreme conclusioni il discorso artistico iniziato poco dopo l’editto di Costantino del The church is most famous for its wealth ostroodo Byzantine mosaics, the largest and best preserved outside of Constantinople.